Under The Rainbow: The Inevitability of the Modern World

There is something beautifully Fascist about the White House soaked in the gay rainbow. As a fan of Fascist imagery, and Fascism in general, I
can’t help but admire this.

Fascism is about strength and congruence; uncompromising and unapologetic. Fascism is not about voice, Fascism is about hierarchy and dominance. A dominant leader should lead to feelings of comfort and safety in those led; a well-kept pet will respect the dominance of their master, a good wife will find comfort in the leadership of her husband.

However, a productive Fascist state needs a benevolent Fascist leader. Historically this has been a real bitch to hammer down. So while I admire President Obama’s force and congruence here, I question his intent and the long-term results of such intent.

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Introduction to Intellectual Alchemy

I graduated college with a Bachelors degree having concentrated my area of study in both English Literature and Philosophy, dealt in equal parts. Only now, as an adult looking back, can I understand the depth at which these areas are diametrically opposed.

At its best, an authentic study in Philosophy is the quest for Truth- deep Truth, big picture Truth, real talk Truth; sadly the modern education system makes this pursuit increasingly difficult, but the beauty of Philosophy is that it’s teaching the student how to think, not exactly what to think. The student can then use these tools for whatever Truth they wish to seek.

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Primer (2004) and Masculine Identity

Part of the beauty of Shane Carruth’s Primer lies in its alienating density. Carruth doesn’t care if you don’t get it; nothing about Primer is inviting or accessible. You will not understand Primer the first time through, repeated viewings are necessary. Even with a timeline walk through, Primer is conceptually intimidating.

Unlike most films, the thematics of Primer are hiding in plain sight. The challenge of Primer is following the details of the plot.

When I sat down to watch Primer again with the idea in mind of writing about it, I decided to ignore the time-travel elements. Chuck Klosterman had already written an excellent essay on Primer’s time-travel and I’m unsure if there’s anything left to be said on the topic.

So, this time around, I pushed through the fantastically constructed physics and focused the characters.

I was shocked to find an entirely new movie emerge.

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