Celia Shits: Pre-Modern Portraits of Men and Women

Oh, poor Tim the ostler! The humble stable buck hopelessly in love with his boss’s gorgeous, red lipped daughter. Like that was ever gonna happen, and she’s in love with the bad boy Highwayman anyway, a dapper thief with a taste for the high-life; the ostler never had a chance. So, what does our scorned, low-born, beta-male do? The only thing he can- Tim calls the police, another group of men more masculine than he, to properly dispose of the Highwayman.

Thus is the premise of Alfred Noyes’s narrative poem “The Highwayman” (1906). You may have guessed that our poor, law-abiding ostler isn’t quite the hero of the story- that role is more closely filled by the titular scoundrel, with the lesson being that we don’t judge the morality of actions as much as we judge the value of those committing them.

And Tim, as a poor stable-hand, doesn’t have much in the way of value- he’s disposable and invisible. In modern terminology, which is ironically also Old English terminology, Tim is a cuck– and if you want any chance at sexual success, you can’t be a cuck.

Read More