“Baby, I’m your man.”
Nothing ends well. I hate to be the one to tell you, but if you didn’t already know, romantic endings are for Hollywood. Real life wouldn’t have made it past a single test screening. I’ve never watched someone die, and my hands carry the softness of a man with intellectual savvy- I’ve never known hard labor and this is something I appreciate. After I scrub diligently for twenty-seconds and dry thoroughly, I enjoy the soft touch of my fingertips on my reasonably ageless face. People are shocked that I’m forty- and with a baseball cap turned slightly askew, I can still fuck reasonably young women.
But this isn’t going anywhere. The joke is that once you hammer out the formula, in your Henry Frankenstein fuck laboratory, you’re already halfway bored by the results. They say the journey is more satisfying than the destination, but once you’ve slipped into the realm of hindsight, you wonder if that’s just another bit of Hollywood bullshit. You have so many of the same interactions that it all blurs together and becomes part of your muscle memory- like realizing Punch-Out (1987) is a rhythm game- you could do it blindfolded. You thought you were Tony Soprano, a playboy with a dark side, but you’re really Livia- “it’s all a big nothing,” something you understand now more than you ever thought you would.